Posts Tagged ‘LG’

Shades of Crazy Eddie…

Tomorrow (Saturday, October 2), 6th Avenue Electronics will celebrate the opening of their new store in Deptford, NJ with a chain-wide blow-out sale on TVs.

And when I say blow-out, I mean BLOW-OUT!

Can’t beat that deal with a stick!

Here’s what caught my eye this morning: 350 Panasonic TCP42C2 42-inch 720p plasma TVs will be sold for $397.95, a discount of $200 from full retail. And if you want something bigger, 250 Panasonic TCP50C2 50-inch 720p plasma TVs will be tagged at $548.95 each – almost $250 off their normal retail price.

There are other goodies to be had. Want an LG 50PK250 1080p 50-inch plasma TV? Get there early enough, and it’s yours for $788. How does an LG 60PK250 60-inch 1080p plasma TV sound for $1188? Or a Panasonic TCP58S2 58-inch 1080p plasma for $1198?

If LCD’s your thing, you can scoop up a Samsung 46-inch 1080p LCD TV for $648, or a Toshiba 46G300 1080p LCD TV for $749. 6th Avenue’s also got a Toshiba upconverting DVD player for $29.95 and a Panasonic Blu-ray player for $100.  The flier in today’s Philadelphia Inquirer goes on to list all kinds of electronic goodies for rock-bottom prices, including a $80 netbook with 7″ LCD screen, an Olympus 10 megapixel digital camera for $65, and a JVC 8 MP pocket movie camera for $70.

Face it. All electronics are commodity products nowadays. No wonder so many TV manufacturers are struggling to make a buck!

Can’t wait to see how low prices go on Black Friday…

Toshiba TVs: A Fade to Black? UPDATED

EDITOR’S UPDATE: Toshiba has indeed begun the process of moving its Wayne, NJ consumer products division to Irvine, California; integrating it with the company’s IT division. A press release detailing this move (which I missed, whoops!) came out on May 6, 2010.

Yes, Toshiba is following Samsung’s lead by consolidating the offices and operations of its consumer and professional divisions. But that’s only a sidebar to what is potentially a big (and perhaps insurmountable) problem facing the company, and that’s a slow and steady decline in market share among LCD TV brands.

According to an August 18th press release from industry analyst Riddhi Patel of iSuppli, Toshiba’s LCD TV market share in the United States has shrunken from 7.4% with 570,000 TVs shipped in the 2nd quarter of 2009 to 5.5% with 402,000 shipments in Q2 of 2010.

That’s not an insubstantial number. To put that into starker terms, Toshiba’s LCD TV shipments have dropped by almost 30% in one year, which should be sending up a huge red flag in the company’s executive offices…wherever they wind up next.

What is also alarming is that Toshiba’s market share has now fallen into Pioneer and Hitachi territory from 2007 and 2008. A few years ago, Pioneer had a 7% share among plasma TV shipments that dropped to about 5% within a two-year period (while the company was also hemorrhaging red ink). By late 2008, they had decided to throw in the towel and exited the plasma TV business in the spring of 2009.

Remember Hitachi? They once led the market in rear projection TVs and made some top-notch CRT sets, too. Hitachi was also a leader in plasma technology, building an enormous plasma fab on the island of Kyushu with partner Fujitsu in 1999.

Today, that plant is largely superfluous, as the company has withdrawn from selling plasma TVs. And you won’t find any Hitachi LCD TVs at Best Buy, or HH Gregg, or Wal-Mart, or Sears (they do have some nice Hitachi electric drills, though!).

Looking through the Amazon.com Web site, I found a handful of Hitachi sets that are either the last left in stock, or used models.  (And the company was conspicuous by its absence at CES 2010.)

The iSuppli report lists the current top five LCD TV brands as Samsung, Vizio, Sony, LG, and (surprise!) Sanyo, leaving Toshiba in the #6 slot. That’s quite a fall, as they were ranked #4 in Q2 of 2009. Panasonic showed up at #8 with a 3.1% market share, but their core business in plasma TVs.

Another shocker: Sharp, once the leader in LCD TV sales, brought up the rear with a 2.4% share, a decline from 4.7% in Q2 of 2009 and a drop in Y-Y shipments of 49%. Yikes! (Is Sharp on the LCD TV endangered species list, too? That’s another story for another time…)

Given all of the LCD fab capacity in Asia and indications of LCD TV oversupply in the channel, the logical result is another round of price wars. That’s a game that Toshiba can’t compete in, because they don’t manufacture LCD panels, and would have to do some serious shopping in Taiwan and China to keep manufacturing costs down.

However, three of the five brands ahead of them do make LCD panels  (Yep, Sanyo does make LCD panels, although they also buy glass on the open market), the exceptions being Vizio and Sony. But Sony is still sitting pretty because they are major investors in both the Korean S-LCD Gen 7 joint venture fab with Samsung and Sharp’s new Gen 10 LCD fab in Kameyama, Japan. (Sony owns about 34% of the Kameyama factory and a corresponding amount of the LCD panel output.)

Toshiba was one of the first companies to introduce LED backlights in their TVs. In fact, they were one of the first companies to use the term ‘LED TV,’ thereby creating instant consumer confusion about perceived differences between LCD and LED TVs.

The past decade hasn’t been kind to Toshiba. Their prized HD-DVD technology was vanquished by Sony’s Blu-ray format (supposedly with the help of a $400 million dollar payoff to Warner Home Media), and the crown jewel – the DVD format – is showing its age and in decline.

Toshiba was one of the few companies to show working 3D TV sets with active shutter technology at CES 2010. And their Cell TV architecture (co-developed with Sony) is a powerful platform on which to build next-gen TV designs that can stream multiple channels of HDTV programs and incorporate hand gesture recognition for operation and control.

But all of that may be for naught, if this negative market share trend continues.  It doesn’t help that Toshiba is perceived as a ‘mid range’ TV brand now, according to what an industry colleague heard when he recently visited several Best Buy stores in southern California and could find only two models of Toshiba LCD TVs for sale.

The marketplace is indeed a harsh mistress…

NAB 2010: A Show in Transition

Some of the big questions facing attendees as their flights landed in Las Vegas were these: Can NAB survive? Will it evolve into something different? Is it even that important to attend NAB anymore?

The answer to all three questions is “yes.” Even though attendance was still down from 2008 (NAB claimed 83,000 ‘officially;’ my guesstimate was more like 55,000 to 60,000), there were plenty of companies in attendance with lots of cool products to check out.

That said, the show is undergoing a rapid transformation away from a traditional ‘broadcasting’ show to a mix of InfoComm and CES – hot new products for professionals. Of course, 3D was all over the place. But so was networked video, which dominated the upper and lower South Hall exhibit areas.

Booths were smaller this year, and that’s not going to change any time soon…not when the typical booth is showing products that have price tags in the hundreds and low thousands. Contrast that with NAB shows 15 years ago, when most of the price tags had three and four zeros in them!

You know attendance was off when this was one of the largest booths in the Central Hall!

On the other hand, the alternative wasn’t too attractive…

The smaller booths and lower number of exhibitors resulted in wider aisles and less traffic – a plus. But it also resulted in NAB placing the main registration area smack in the middle of the Central Hall, something I’ve never seen before.  And there was plenty of wide-open space at the end of that hall, as well in the North and South Halls.

Can NAB be staged in three halls? Absolutely! And can you see everything you need to see in three days? Try two days. (Thursday has become ‘exhibitor bonding day,’ to quote a fellow editor.) I could have covered my beat in two days if necessary.

THE TRENDS

Not surprisingly, 3D was a big topic this year, although not to the same extent as it was at CES. The SMPTE/ETC/EBU Digital Cinema Summit focused entirely on 3D for both days, and I was fortunate enough to deliver one of the papers to a jammed room of 500+ attendees.

Sony, Panasonic, JVC, Canon, Grass Valley, AVID, Doremi, Harris, Evertz, and Ross Video were just some of the companies showing 3D products in Vegas. Those products ranged from 3D monitors and cameras to 3D workflow (acquisition, editing, post, effects, and playout) software and hardware.

Sony’s LM4251TD 42-inch LCD monitor uses micropolarizers for passive 3D viewing.

Other specialized 3D brands were in attendance, too. TD Vision, Miracube, Mistika, and HDlogix had nice exhibits in the South Hall, down the street from Grass Valley. Smaller companies like Cine-tal occupied the 3D Pavilion nearby, while Motorola and Ericsson showcased 3D transport and format recognition products upstairs.

Although the consumer TV market is seeing a big push towards active-shutter 3D TVs and monitors, the emphasis at NAB was on passive 3D viewing (cheaper glasses, more expensive displays). JVC, Hyundai, and LG all manufacture them, and there were plenty of folks standing around with RealD X-pol eyewear watching the demos.

The projector guys were on top of things, too. projectiondesign showed a stacked pair of 3-chip 1080p lightboxes in the Mistika booth, using linear polarized glasses. HDI showed a 100-inch, 1080p LCoS rear-projection TV in the HDlogix booth, also using X-pol glasses. Christie also had suitable 3D projection systems out for inspection.

There were also some demos that left me scratching my head, such as Canon’s dual-projection X-pol 3D demo, using a pair of REALiS WUXGA (1920×1200) LCoS projectors. While it worked well, it requires two separate projectors and outboard 3D filter holders – too klunky! (A Canon rep told me that was because of the 60 Hz frame rate limitation on the internal video processor.)

Well, it IS 3D, but I doubt Canon will sell very many of these rigs…

Broadband video and IPTV were also big this year. This market for MPEG-4 AVC over Ethernet, fiber, or private data networks is exploding, and encoder companies such as Adtec, Vbrick, Harmonic, Ericsson, Harris, Motorola, and Digital Rapids were showing a full range of compatible products.

Sezmi also occupied a booth at the show. This company has a unique selling proposition – a set-top box that receives both terrestrial (read: free) digital TV and selected cable channels carried on secondary terrestrial channels. It also accesses a video-on-demand server through broadband connections (SDTV only) and has a customizable program guide for each user.

While not technically broadband, the nascent MH broadcast format was in abundance at NAB. MH uses MPEG-4 AVC coding in multiple streams with IP headers to send low-resolution video to handheld receivers, such as mobile phones and combo PDA/receiver products. MH is catching on in popularity with broadcasters, who see it as a more sensible alternative to simple multicasting of secondary channels that very few people may be watching.

ATSC MH on an iPhone? Brilliant! (There’s an app for everything!)

MY PICKS

After three days of walking around, I came up with a list of “finds” that I’ll share here. These are all products that represented clever thinking, breakthrough technology, and/or new price points. Some were easy to spot; others required quite a bit of digging. But they all made the trip to Lost Wages worth it (and that’s saying a lot, considering how airlines jam you in like sardines these days!).

TV Logic: This manufacturer of LCD broadcast monitor showed the world’s first active-matrix OLED broadcast monitor (unless you think Sony’s press announcement hit first, which it didn’t.) The LM-150 ($6,200) uses a LG Display 15-inch OLED panel with 1366×768 pixel resolution and come equipped with all the expected niceties including markers, crop marks, caption displays, over/underscan, and HD/SDI, HDMI, and analog video jacks. There’s also a 3D version in the works (TDM-150) that will sell for about $7,700.

This was the coolest product at the show. But will it REALLY last 30,000 hours?

Ericsson: In addition to a host of MPEG-4 and IPTV encoders, the ‘big E’ also showcased an innovative, iPad-like LCD touchscreen remote control/video viewer. Dubbed the IPTV remote, this product can dial up video from broadband, cable, satellite, and even your home network. Not only that, it can monitor weather sensors and your home security system. (Sound much like a Crestron product?) The IPTV remote will not be offered for sale at retail. Rather, it’s intended to be a content provider offering.

Christie: Have you seen their MicroTiles yet on the Colbert Report? These innovative ‘mini’ DLP projection cubes use LED light engines to power 800×600 DMDs (the actual working resolution is 720×540) and measure about 12” x 16.” They can be configured in just about any format you wish, including floor and ceiling projection, and up to 1024 can be driven at one time. The LED light source is specified to last over 60,000 hours. Think of LED-powered LEGOÔ blocks, and you’ve got the concept.

And YOU thought iPads were all the rage…

SmallHD: It wasn’t easy finding these guys behind the Sony booth, but they’d come up with a focus assist monitor for video and still cameras that they claim is the world’s smallest HD video monitor. The actual size is about 5.6 inches and the glass is WXGA (1280×800) LCD. It comes in two flavors – one for digital SLRs ($899) and one with SDI input ($1199). The monitors are an inch thick, weigh 10 ounces, and mount to hot shoes.

Z3 Technology: I found this booth on my last pass through the South Hall, and it was worth the stop. They showed the Z3-MVE-01 MPEG encoder, a compact box that codes HD up to 1920×1080 resolution using H.64 High Profile (up to 30Hz), with Ethernet and ASI outputs. Input compatibility includes composite, component, HDMI, DVI, and HD-SDI video…all for $5,000.

JVC’s 46-inch X-pol monitor always drew a crowd.

Adtec: I didn’t expect to see an HDMI-to-QAM modulator at the show, but that’s exactly what Adtec pulled out for me. The HDMI2QAM is a dual-channel design that encodes anything from the HDMI inputs (yes, they are HDCP-compliant) to a pair of quadrature amplitude modulation (QAM) channels, using MPEG-2 encoding. The modulation format is selectable between 64-QAM (SD), 128-QAM (not widely use), and 256-QAM (HD). Bit rates are constant and optimized for each mode (i.e. 38.8 Mb/s for each HD channel).

 

Cydle: This new start-up demonstrated an app for iPods and iPhones that allows viewing of ATSC MH (A/153) video. Along with it comes the i30,  a battery-powered docking station with built-in antenna (UHF). This means that your ‘i-whatever’ has two batteries to draw from, so if you run low on talk power, simply switch to the i30 battery. Both can charge simultaneously. Cool!

Sezmi’s personal program guide rivals TiVo for user-friendliness.

Panasonic: I’ve seen it before at CES, but it now has a model number. The company’s first production camcorder now goes by the moniker AG-3DA1 and is yours for the low, low price of just $21,000. (Well, all things are relative, I guess.) The camera weighs about 6 and a half pounds and uses a pair of 2.l07 MP sensors (full 1920×1080) to record 1080i and 720p HD content to SD memory cards. Convergence and horizontal and vertical displacement are fully adjustable.

Panasonic gets another mention for the AG-AF100, which they claim is the world’s first Micro 4/3-inch (1.33:1) HD camcorder. That’s a big deal because the 4/3” format matches the coverage area of 35mm film frames…which means you can use standard 35mm film camera lenses to get effects like shallow focus, soft focus, and vignettes. The camera records to SD/SDHC/SDXC memory cards using the AVCHD format and supports 1080i/p and 720p formats, including 23.98/24/25 Hz.

Sony gets extra credit for announcing the world’s second (or first) AM-OLED professional video monitor. The PVM-750 ($3,850) is a bit smaller than TV Logic’s offering at 7.4 inches (16:9), and is not quite full HD resolution at 960×540 pixels. (Not that you’d notice on such  small screen!)  The PVM-750 has 3G HD-SDI, HDMI, and composite video inputs, the full range of adjustments from tally and markers to blue screen mode and AC/battery power operation. No word on lifespan of the display, but Sony uses small molecule (SM) OLED technology, as does LG Display.

LP Technologies rounds out my list with one of those ‘too good to be true’ products: An LCD-based 9 kHz to 3 GHz spectrum analyzer with USB 2.0 interface, built-in preamp, and Ethernet connectivity for remote monitoring. Sorry, no internal battery pack!) The USB hook-up can be used to save data in the Excel format, while the internal memory can tore 900 different waveforms. The display is a 6.4” 640×480 (VGA) LCD type. And the cost? Just $4,500…

Stick one of these on a Canon 5D MK II, and you can shoot an entire episode of ‘House!’ (No kidding!)

CES 2010 – Part I: Big crowds, smaller booths, 3D, MIAs…

CES 2010 rebounded nicely from last year’s lightly-attended show. But there weren’t as many surprises this year.

First off, 3D was everywhere. You couldn’t hide from it. I estimate I saw at least 20 demos of 3D over two days, and toards the end I simply declined the active or passive glasses and just took notes on the manufacturer and the projector or TV on display. 3D is like the wild west right now – everyone’s advancing their own “solution” and there aren’t any standards for home delivery just yet. (Where’s a sheriff when you need one?) Some of the more ballyhooed demos were actually disappointing, like JVC’s 4K 3D demo that used passive glasses. Yes, the images had lots of detail. Yes, they were larger than life. But they also exhibited too much crosstalk for my liking. (Crosstalk in 3D appears as unwanted ghost images in your glasses and is actually left or right eye information showing up in the wrong eye.) My preference was for the active shutter demos – they were cleaner and a better representation of 3D.

Secondly, more and more companies are jumping on the NeTV bandwagon. In addition to new Widget alliances and an entire App Store that Samsung announced, I saw numerous demonstrations of image processing for cleaning up Internet video to be shown on large screens. IDT’s suite at the Wynn had some particularly effective processing for not only YouTube videos, but movies downloaded to iPods as well. Those of you who own large LCD and plasma TVs know exactly how bad Internet video looks on a 1080p screen. These processors don’t make it look substantially better, but they do clean it up enough to be tolerable. This movement towards broadband delivery of video content is exactly why CE companies are asking the FCC why it is that digital TV stations really need all of the channels currently allocated to broadcasters.

One good answer is mobile handheld digital TV, or MH. There was an entire MH pavilion this year in the Central Hall, loaded with exhibits of integrated MH cell phones, MH receivers inside portable DVD players, and USB plug-in MH receiver sticks.  Participants included LG, Samsung, Movee, and the Open Mobile Video Coalition (OMVC),  among others. Combined with a primary HD program stream, MH could be a real game-changer for broadcast television. Add in custom widgets from local TV stations to appear on NeTVs, and voila – broadcasting has re-invented itself.

Yet another trend was green displays, from pocket LED projectors to LED-backlit LCD TVs. Even Panasonic got into the game with a demonstration of 25% to 30% reductions in energy usage on their latest line of plasma TVs. LED baklights are rapidly replacing cold-cathode fluorescent lamps (CCFLs) commonly used in LCD TVs. My prediction is that LEDs will be the dominant backlight technology within two years across all sizes of LCD TVs – they contain no mercury (although they do contain gallium, a rare metal) and enable much better color control and local area dimming. In the projector world, Samsung showed an LED-powered 3LCD model that was rated at over 1000 lumens, while Casio featured a hybrid red diode – blue laser – green phosphor color wheel design in an ultra-slim $800 XGA DLP chassis!

I was quite impressed with the size of the booths staged by Chinese TV manufacturers TCL, Haier, and HiSense. TCL manufactures the RCA line of LCD TVs, while HiSense is planning to launcha full line of TVs and related products this year, under its own name. That includes 240Hz Tvs, 3D models, and Blu-ray players.These are major players, and wil give the Japanese and Korean manufacturers a run for their money.

Missing in action? Pioneer’s AV receivers and BD players (they opted to skip the show to “conserve resources”), Hitachi’s LCD TVs and camcorders (no public explanation why), and Sanyo’s line of camcorders, cameras, and projectors (again, no official word on why they passed up the show).  Those are three substantial, heavyweight players in the CE marketplace!

Well, back to work. Look for more detailed coverage next week, this time with photos. (Boy, it takes a LONG time to download and edit 750 images…)