| FLAT-PANEL MONITORS AND URBAN LEGENDS
by Peter H. Putman, CTS
As I sit here in my studio and read the latest research
and market price information on LCD and plasma monitors, I have to remind
myself that only a decade ago, these products weren’t even a blip
on anyone’s radar in the production community.
Indeed, the earliest 42-inch plasma monitors had staggering
price tags (over $15,000) and were more architectural curiosities than
practical display solutions.
Ah, but the market has worked its magic. At every trade
show you attend this year, you will see ample quantities of LCD and
plasma displays in all size adorning trade show booths, being hawked
for everything from reference monitors to client lounges. You’ll
see all kinds of input configurations (analog and digital), outboard
media servers, stands, wall brackets, rack mounts, and accessory speakers
to go with them.
We all know that LCD and plasma TVs are fast becoming
popular in the consumer TV marketplace, whether they dominate the family
room or hang under a cabinet in the kitchen. And they are starting to
show up in production houses as well, most commonly in screening rooms
or waiting areas.
As with any new technology, there are the associated myths
that go with LCD and plasma displays. Can’t let LCDs freeze.
Plasmas burn in. Plasmas buzz at high altitudes. The gas leaks out of
plasma monitors over time. LCD displays can burn-in, too. LCD monitors
have horrible black levels.
No doubt you’ve heard one or more of these tales
recently. So, it’s probably a good time to see what if any truth
lies behind them.
Plasma Burn-In: Plasma displays work
by generating lots of power to activate each of their tiny gas-filled
pixels. (You might be surprised to know that a typical 50-inch monitor
can consumer over 500 watts in normal operation!) The discharge of high
voltage is what makes the phosphors in each pixel glow and form images.
Unfortunately, there is no way to make this a low-voltage
process. And it became obvious early on to plasma manufacturers that
the phosphors would degrade quickly if the panel was operated at high
levels of brightness. The problem was further aggravated by static images
(usually text) that rapidly aged phosphors, leaving a permanent ghost
image of them on the screen when the plasma monitor was turned off.
While burn-in was a problem not too long ago, the current
crop of plasma monitors and TVs uses a different gas mixture (more xenon,
less neon) as well as an improved pixel shape to yield more light at
lower power levels. You’ll hear predictions of 60,000 hours in
sales sheets, but even you conservatively cut that to 30,000 hours,
it really is a non-issue. However, you still want to avoid showing bright,
static images on any plasma display for long periods of time.
Plasma ‘buzz’ and leakage:
The discharge of voltage through each plasma pixel not only creates
a burst of ultraviolet light (and a broad spectrum of electromagnetic
‘garbage’); it also causes a small mechanical vibration.
Ever been close to a neighborhood power transformer when it shorted
out? Remember that big ‘thump’ you heard and felt in the
ground? Same principle.
We really don’t notice this mechanical vibration
or ‘buzz’ at low altitudes because the air pressure is high
enough on the glass surfaces to minimize it. But go up in altitude where
air pressure is lower, and you will definitely hear it. The glass is
not separating: it’s just free to vibrate more vigorously.
And it should be noted that the glass enclosures for plasma
monitors are sealed at the factory to withstand several air pressures
from within and without. Unless you crack the doggone thing, the neon/xenon
mixture will remain safely inside for a long, long time.
LCD monitors freeze at low temperatures: Well, at some
point, everything will freeze! But the liquid-crystal paste used in
LCD displays has a different specific gravity than water, and its freezing
point is much lower as a result. I have left consumer and professional
LCD monitors out in cars overnight when temperatures dropped into the
low ‘teens with no adverse effects the next day. (Be nice to the
monitor and let it warm up to room temperature before use.)
Keep in mind that many of the displays in today’s
cars use LCD technology, in particular car radios and CD players. When
was the last time you saw one of those crack when left out in cold weather?
LCD monitors can burn-in: Impossible!
The process by which an LCD display creates images is to change the
position of individual liquid crystals in each pixel and block or pass
light through them. There is no high-voltage, high-energy discharge;
the liquid crystals rotate into different alignments as the low voltages
in each cell change.
However, each pixel behaves like a capacitor, and a residual
charge can build up inside that tiny capacitor if the pixel remains
in the same state for a long time. As a result, the stored charge locks
the liquid crystals into one position, even after the monitor is turned
off. A quick flash to an all-white screen followed by a black screen
clears this residual charge and solves the problem.
LCD monitors have horrible black levels: Well, LCD ‘black
level’ (no signal) measurements are not nearly as good as that
of a plasma or CRT monitor for certain. The best I’ve seen so
far is somewhere in the range of 1.5 – 2 nits, as opposed to the
.2 nits readings from a top-notch CRT display.
But there is a way around it – simply reduce the
brightness of the backlight. Newer LCD TVs and monitors are now coming
out with adjustable backlight controls, letting you optimize the display’s
grayscale for ambient room lighting. Higher black levels aren’t
really noticeable under normal room light, but they do jump off the
screen when lights are dimmed.
Make sure you have a multi-step grayscale test pattern
on hand before you make this adjustment so that you don’t ‘crush’
black and low shades of gray. Contrast will still be good and you will
be surprised at how much lower those ‘black levels’ will
become.
Copyright ?2005 Peter H. Putman / Access Intelligence.
All electronic and mechanical reproduction rights are reserved.
This article appears in June 2005 Studio/Monthly.
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